After taking the MSNBC poll on whether I read romances, I bought the first and second books in the latest Nora Roberts trilogy, The Sign of Seven. Then, I fixed a plate of cookies, opened a bottle of chardonnay and hit the couch. Real women love romance novels and the couch is where we belong while reading them.
In case you don’t know, and who on the planet doesn’t, Nora Roberts is the doyenne of romance writers. She’s churned out dozens of books under her own name and under the J.D. Robb pseudonym. Romance writers, who love her because she is so good and hate her because she is so very, very good, call her “The Nora.”
I’ve met Nora now three times, if you can call listening to her speak along with a couple of hundred other cheering real women “meeting.” Of course, it isn’t. I know that. But I do feel as if I know her, well, kind of.
Her book covers suggest an average sized person. She’s not. She’s tiny. But she has huge presence, including a deep, smoky voice that carries in a crowd. Best of all she has a no bullshit attitude best described as “stop whining and get to work.”
She says that when she was just starting out, she had rules for her boys. When they were young, she wasn’t to be interrupted unless there was fire or blood. When they got older, the standard changed to arterial blood. (This happened to be my standard, too, only I was just flipping burgers for the kids.)
Although Nora doesn’t mind a glass of wine, you don’t get dozens of books written lying on the couch. She works. Up every day. Early. She says she “vomits” out her first draft and then makes whatever revisions she needs on her second. When she begins a story, she says she knows only two things, that the hero and heroine will fall in love and that there will be a happy ending.
Blood Brothers, Book One of the Sign of seven Trilogy, is classic Nora. Three young boys, aged ten, inadvertently free a centuries-old demon in an eerie clearing near their pre-Revolutionary town. As the boys grow up, the demon gets stronger, striking on the seventh year, the seventh month and the seventh day causing mayhem and murder among the townspeople. As the twenty-first year approaches, three young women are drawn into the town and into the battle with the demon. Blood Brothers is the story of the first couple.
As anyone who has ever read and criticized a romance novel knows, the biggest problem with some of these books is character, the dumb hero with the cute buns and the swooning heroine with windswept tresses.
Not for Nora. The heroine in Blood Brothers is a wise-cracking, whip smart magazine writer who has graduated to writing books. The hero is the slightly anal scion of one of the town’s oldest families who is due for a shake-up in the romance department. (He’s been shaken up plenty in the demon department, trust me. The horror story is rich and detailed with evil versus good in titanic clashes over continents and centuries.)
This is a good meaty read and you won’t get it done in just a couple of hours on the couch. You’ll need to stay there through dinner and probably through Letterman before you can close the last page and say, “Now that was good.”