Okay, I admit I’m a little theatrical. A lot theatrical.
Real women can be theatrical.
When we were little, my sisters and I used to dress up in Miss Moonbeam’s treasured relics from the sixties. These consisted mostly of faded tye dyed caftans which she felt herself unable to discard. Mom encouraged us to play with her old things perhaps dreaming that her peace and love philosophy would rub off on us the same way dye fades in the wash. That is to say, quickly and thoroughly and all over everything else.
Although I made do with tattered caftans, I yearned for polka dots, sequins and crystals. At Halloween, I always insisted on the brightest, most sparkling costumes. My Cinderella at the ball costume wasn’t fantasy. It was the deepest expression of my personality. I spent months finding exactly the right accessories for the beaded flapper dress Granny gave me one year. A long strand of faux pearls, earrings and a real cigarette holder.
Mom was horrified. I loved it and still regret outgrowing it.
Granny never quite reconciled herself to the bohemian daughter she’d produced and, despite her deep, unwavering love for my mother, never understood her. But she understood me.
Granny insisted I take ballet classes which I did enthusiastically until it became clear even to me that I’d never be a professional. But, oh, I loved those costumes and the glittery makeup. I loved performing even if all I did was trip around the stage. Literally.
Granny also gave me dance lessons which in our town were taught at the local war memorial that had an auditorium for civic use. Mom swallowed the dance lessons, although the clouds of pink Granny and I decided were essential for waltzing were harder for her.
Along with sequins and beads, tears used to be an essential part of my theatrical repertoire.
I learned early on that I could cry just by thinking of something sad. My Cinderella costume, conveniently lost at some point in my childhood, a string of crystals Mom declined to buy, make up she made me scrub off. All could bring tears.
Shallow, I know. But we make do with what we’re given.
My tears aren’t the sobbing kind. No. At least in my fancy, I am more the pre-Raphael type, long tresses bound in a net with a few tendrils of hair attractively escaping over a willow neck; white skin emphasized by a sheer gown; disconsolately watering the plants I’m drooped over with tears that escape one by one.
God, I was good.
Unfortunately, Mom also had the gift of tears. So, when I’d go into my drooping femme act, she’d tell me to knock it off. Or when she was in the mood she’d provide a little competition and my sisters and Granny would find the two of us draped languorously on the couch, tears flowing down our cheeks between giggles.
As I got older, I admit I used the tears to great effect especially with men who didn’t know me well. My ex-husband claimed before he departed that he never knew what was up with me. (I never said the divorce was entirely his fault.)
To her credit, Mom opposed manipulation by tears. In fact, when my partner and I were just into our relationship, you know the stage where you’re committed, but everything is still sort of starry, Mom suggested we do our femme act for him. I was enjoying the hell out of it until it occurred to me that S/O was being given an important piece of intelligence.
So now when I droop, he sits down and enjoys the show. Once he even asked me to hold the action until he got the popcorn ready.
Hardly fair.
However, I got smart and now I set the mood. These days, I’ve stopped drooping and now do my performing in sexy lingerie.
So, I get the results I want: his undivided attention.
It’s all theater, ladies.